Session 20
Session at Manifesta 8 in Murcia, November 2010. From left to right: Guillaume Hervier, Francesca Agnesod, Andrea Rodriguez Novoa.
Francesca Agnesod (left) and Andrea Rodriguez Novoa (right) during the opening of The Principle of Uncertainty, 28 May 2011.
tramway stop “Berriat – Le Magasin”.
Session 20: presentation
| Session | 20 (2010–2011) |
|---|---|
| Participants |
Francecsa Agnesod |
| Direction |
Yves Aupetitallot |
| Session website |
http://www.ecoledumagasin.com/session20/EN/principe-d-incertitude.html |
| Coordination |
Lore Gablier |
| Tutoring |
Fareed Armaly |
| Educational team |
Tolga Taluy |
| People met |
Valérie Brujas (director, Fort du Bruissin) |
| Travels |
Lyon (18 Oct. 2010) |
Rencontre avec un groupe d’étudiants en design graphique de l’École nationale des beaux-arts de Lyon, 2011.
Visit to Manifesta 8, Murcia, November 2010. From left to right: Andrea Rodrigez Novoa, Francesca Agnesod, Guillaume Hervier, Claudia Mendoza.
Meeting with the artists of the post-graduate course at the Lyon School of Art. From left to right: Francesca Agnesod, Andrea Rodrigez Novoa, Ricardo Giacconi, Nadia Barrientos, Guillaume Hervier.
Visit of Manifesta 8 in Murcia, November 2010.
Coup d'éclat
| Project |
Coup d'éclat |
|---|---|
| Presentation |
The artists brought together in the exhibition speak up regarding the coercive powers of political and economic issues and the models the latter impose on individuals. |
| Format |
Exhibition |
| Date |
15 September 2011 - 5 February 2012 |
| Location |
Fort du Bruissin |
| With |
Iván Argote |
Coup d’éclat, exhibition view, Fort du Bruissin, 2011. Featuring Amelia Pica, On education, 2008, video-projection, 8mm transfered on DVD, 4’45’’. Photo: Blaise Adilon
Coup d’éclat, exhibition view, Fort du Bruissin, 2011. Featuring Juliana Iriart, Como polvo de ladrillo, 2011, installation in situ. Photo:Blaise Adilon
Coup d’éclat, exhibition view, Fort du Bruissin. Featuring Marcela Armas, Resitencia, 2009, heating resistance, insulators, steel cord, sensors and electricity. Photo: Blaise Adilon
Coup d’éclat, exhibition view, Fort du Bruissin, 2011. Featuring Aníbal Parada, Reflection on exhibition, 2009, single-channel projection, 4’10’’. Photo: Blaise Adilon
Coup d’éclat, exhibition view, Fort du Bruissin, 2011. Featuring Juliana Iriart, Como polvo de ladrillo, 2011, brick powder, in situ installation. Photo: Blaise Adilon
Coup d’éclat, exhibition view, Fort du Bruissin, 2011. Featuring Iván Argote, Lovely, 2010, video installation, loop. Photo: Blaise Adilon
Coup d’éclat, exhibition view, Fort du Bruissin, 2011. Left: Mónica Heller, Venus y Marte gobiernan la Tierra, 2011. Right: Juliana Iriart, Como polvo de ladrillo, 2011. Photo: Blaise Adilon
Coup d’éclat, exhibition view, Fort du Brussin, 2011. Featuring Carlos Garaicoa, Las Joyas de la Corona (Base Naval de Guantánamo), 2009, series of sculptures in silver. Photo: Blaise Adilon
Coup d’éclat, exhibition view, Fort du Bruissin, 2011. Featuring Wilfredo Prieto, Ascendent Line, 2008, in situ installation. Photo: Blaise Adilon
Principe d'incertitude
| Project |
Principe d'incertitude |
|---|---|
| Presentation |
The Principle of Uncertainty is a curatorial project developed by Francesca Agnesod, Nadia Barrientos, Guillaume Hervier and Andrea Rodriguez Novoa as part of Session 20 of the École du Magasin. Strictly speaking, the word “archive” designates the preservation of a document that has been deemed of essential interest for future generations. Accordingly, the archive anticipates, in time, a legacy whose posterity is at once premeditated and legitimated in advance. The “anticipated archive” deliberately inverts the linearity of time and is created after the fact, as the work’s para-text in that it encompasses all the peripheral discourses and materials, both the influence and the legacy that it inspires. The Principle of Uncertainty is the result of a process which takes place in three both inseparable and distinct spaces: a virtual space, zonedobsolescenceconcertee.org, which testifies to the dialogue with the artists, in parallel with the evolving project statement; the transitional space in which the archival boxes, as vehicles of fragmentary memory, are sent to the artists; and, finally, physical space, as a testimony to the extended instantaneous appearance of the anticipated archives, which calls into question their existence, transmission as well as their possible loss. |
| Format |
Exhibition and online project |
| Date |
29 May - 4 September 2011 |
| Location |
Red lounge, Magasin-CNAC |
| With |
Armand Béhar |
Related archive
View of the exhibition The Principle of Uncertainty, The Principle of Uncertainty, Red Lounge, Magasin-CNAC, May 29 to September 4, 2011. Photo: Blaise Adilon.
Installation by Santiago Cirugeda for the exhibition The Principle of Uncertainty, Red Lounge, Magasin-CNAC, May 29 to September 4, 2011. Photo: Blaise Adilon.
Louise Hervé & Chloé Maillet, detail of their installation for the exhibition, Principe d’incertitude, The Principle of Uncertainty, Red Lounge, Magasin-CNAC, May 29 to September 4, 2011. Photo: Blaise Adilon.
Edyth Dekyndt, archives of Zero Gravity Days, a project started in 2001 et never accomplished, installation view, The Principle of Uncertainty, Red Lounge, Magasin-CNAC, May 29 to September 4, 2011. Photo: Blaise Adilon.
Armand Béhar, La Déconvolution d’Euler (2011), installation view, The Principle of Uncertainty, Red Lounge, Magasin-CNAC, May 29 to September 4, 2011. Photo: Blaise Adilon.
Reading of Armand Béhar’s La Déconvolution d’Euler during the opening of the exhibition The Principle of Uncertainty, 28 mai 2011. Photo: Blaise Adilon.
Louise Hervé (left) and Chloé Maillet (right) during the opening of The Principle of Uncertainty, 28 May 2011.
Publication d’Armand Behar, La Déconvolution d’Euler, Un récit épistolaire composé de 30 courriers, correspondance entre l’artiste et Nadia Barrientos.
Publication d’Armand Behar, La Déconvolution d’Euler, Un récit épistolaire composé de 30 courriers, correspondance entre l’artiste et Nadia Barrientos.